Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
Comments
Is this the type of effect that would make a subbass heard on cheap tinny speakers?
I think it’s referring to monophonic instruments. Just a guess but I am guessing part of the algorithm will boost the current playing frequency or other related harmonics. Polyphony would get too muddy.
This.
Anyone?
Well, I’ve got buyers regret, the. Yes, it makes a difference, but I could have made more of a difference using the other million other apps I’ve got. I’d say only buy it if you’re really into convenience. Otherwise, probably not worth it for most. But maybe someone will tell me I’m wrong, which is welcome.
I don’t understand why the range is so limited? For a bass enhancer it doesn’t seem to go very low.
I really hope Klevgrand's guys will start again producing music apps instead of this kind of effects...
ah! i see.. that probably makes more sense. i seem to always be mixing up monophonic with ‘monophonic’ .. mono á mono!
@RockySmalls although I didn’t answer your actual question around how this treats stereo signals. Sorry!
nay prob,,, i’m not jumping in on this one unless someone demonstrates some ‘unique’ function .. the Stark Amp put paid to Klevgrs straight run of purchases round these here parts !
Did you end up trying this? It’s on sale now, and although this thread is not enthusiastic I was wondering how people have liked it.
Thanks
I haven't tried it but looking back to the time when we had dbx bass enhancers with sub-harmonic synthesis, my conclusion is that beefing up the low range with classic synthesis methods is usually a better way to build a solid bass foundation, be it kick drums, bass lines or other thin-sounding instruments. A tiny dose of sine waves (or simple 2-OP FM) can sometimes do wonders, and when prepared on a separate DAW track, everything is under much better control that any algorithm would be able to detect, not to mention personal taste.
Edit: If you're after the mid range overtone boost, I'd say you can do that with the Toneboosters EQ by using dynamic EQ bands.
Probably, the worst of all the Klevgrands
I did, no regrets here - it can be quite useful to help get the bass to stick out in a mix. Toneboosters Enhancer can also serve a similar purpose but is more versatile, however Knorr is a bit easier to use and get your hear around.