Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
inspired ....
...by another recent thread on here... Let's have you're favourite (ideally electronic) TV theme tunes.
Classic Tomorrows World theme from the early 80's
The original and best DR Who theme
And not a bad effort from the 80's ...
Comments
Well, Doctor Who is the nuts. Have you heard the way Coldcut used it in their Journeys by DJ mix? Incredible. Well, not literally, but rather inspired. The Knight Rider theme has always been a favourite, The X-Files is a case where the theme fits the show perfectly, and the US remake of The Killing had exceptional music. Exceptional!
I don't know about about "Favorite," but one that comes to my mind because I'm watching it is the TV series, "Bones" which has the theme done by The Crystal Method.
The X-Files them song is another good electronic one.
Mark Mothersbaugh and Danny Elfman have both contributed a great deal to TV themes.
Angelo Badalamenti did the Twin Peaks theme.
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The wonderful Orbital version of The Dr. theme
Just about anything by Jeff Beal:
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The Tomorrow People
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@PaulB said:
Jeez... I had forgotten all about this. Must be early-mid 70's?. Space 1999 aroundabout the same time but not an electronic theme for that. Funky wah-wahs
Big up on the Angelo Badalamenti Twin Peaks nod. An amazing show, because of the music.
+1 on twin peaks, original doctor who theme and Jeff Beal's work.
Best ever is still the Jetson's theme. Mind boggling piece of music.
In sorta the same vein is the 30 Rock theme (by Tina Fey's husband no less). Love it. It evolved a bit over the seasons. If you have Netflix or whatever, you can hear it. This is from season one.
Second greatest of all time: Sandford and Son. Unforgettable hook for sure but if you listen on real speakers, it sounds amazing. Distorted wah wah Rhodes, organs, bass harmonica (?), weird noises. Quincy Jones. Fantastic piece of music. Here's the full version, no synths but total keyboard pr0n. I could do without some of the sax solos but...
Wow!! What year is this ?
Not quite thunderbirds but fun all the same :-)
1962/3
From Wikipedia
Although compared (and often confused) with the Gerry Anderson productions (due to the similar use of voice-synchronised marionettes), Space Patrol stands out on its own. This is mainly due to the boldness of a few creative choices. The only music involved is extremely avant-garde, the theme being made by Roberta Leigh herself using electronic equipment she bought from a local store after asking an assistant for anything that made interesting noises. F.C. Judd was responsible for creating all the electronic music for the series; he was an early British electronic experimenter, amateur radio expert, circuit designer, author and contributor to many wireless and electronics magazines from the 1950s to the 1990s.
In addition, the marionettes used for Space Patrol were more realistic-looking and less cartoon-like than those being used on Fireball XL5; in terms of relative realism, the puppets of Space Patrol fall between that of Thunderbirds and Captain Scarlet and the Mysterons.
Another notable feature is that the music used in the opening sequence may be the first TV theme to be realised entirely through electronic means. That distinction has commonly been ascribed to the BBC's Doctor Who but the first episode of Space Patrol premiered on ABC in the Midlands on 7 April 1963, preceding Doctor Who by more than seven months (that series debuted on 23 November 1963).[citation needed]
Final credits always showed panoramic views over a gigantic city of the future, and never featured any music; only the throb of some industrial machinery, sounding like a gigantic pump or a steam engine, beat in rhythm. The male characters from the planet Venus (Slim for example) presented obvious androgyne features (in contrast to the rustic, virile Martians). Thus the style of the entire series created an extremely eerie atmosphere, that remains rarely matched even by the best adult science-fiction on screen.
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For me this is THE BEST !!!