Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.Download on the App Store
Audiobus is the app that makes the rest of your setup better.
Writing and recording a song in Logic
Over the past few weeks I have been getting to know Logic Pro for iPad by writing, recording and mixing a couple of new songs. I’ve just finished a new one, Weight of Expectation, which is linked below.
It’s been a lot of fun! I just thought I’d share some of my thoughts on Logic as well as the song itself, and I’d be interested to hear others’ experiences. I am a traditional linear songwriter, so much as I have tried to love Drambo, my completed iPad songs have previously come via Cubasis, and going forwards it’ll likely be Logic.
First, some frustrations:
- Chord strips occasionally stopped working, even using in-house synths and only rebooting seemed to sort the problem.
- I could not record using the in-house arpeggiator, even with ‘record MIDI to track here’ enabled.
- Cannot record using the KB-1 keyboard
- Changing the key signature through the song does not update the chord strips at that point.
- The Swam Alto Sax overloads LP, even when basic overdubs are attempted.
- Keyboard shortcuts are great, but cease working immediately that a third party UI is open - even the spacebar is defunct.
- The lack of a ‘save as’ option is a huge omission, as is the ability to switch off auto-save.
That all said, the overall experience was great - I particularly enjoyed:
- Using LP in conjunction with a qwerty keyboard and mouse - yes, it would be great to have more k/b shortcuts, but spacebar, Ctrl+C/V, cursor keys, B for plugins, E for Editor, Y for browser, X for mixer, I for inspector etc all become second nature very quickly. It would be great to be able to edit these - I mean, why not B for Browser?! Multi-select by holding shift, backspace for delete - all these things and more make the work flow really fast when I am sitting at a desk actually working on something, rather than noodling on the sofa.
- Automation is really a joy to work with - I found that hitting V for fader and recording ‘live’ volume automation very easy. In my world, moving from a good ‘static’ mix with no automation, to an ever evolving mix by making many small automation changes to tracks really brings a song alive, and LP makes this easy.
- The quality of the included plugins is very, very good indeed. I’ll be first to admit I’ve spent a lot on iOS plugins that will no longer get used because the options in Logic are way better.
- I absolutely love Drummer - at long last this ‘solves’ the biggest issue I’ve had with iOS music making, namely acoustic drums. And in LP, I was able to convert Drummer regions to MIDI if I wanted to edit the patterns manually, so ended up getting a drum track that I was happy with.
As for the song itself, it would never have been created without noodling in AUM first. The initial 4-bar melody which is central to the song was inspired by using one keyboard to play two instruments at the same time, which is so quick and easy in AUM. I combined GeoShred’s ‘Shred Lead’ preset with Pure Synth’s ‘solo violin’ - I found the combination of an ‘electronic’ and a ‘real instrument’ complemented each other perfectly and with lots of live automation, I tried to make the sounds interweave with each other, rather than remaining static.
The (very few) lyrics outline the frustrations of a friend who has not had children, but has faced a lifetime of questioning as to why this is the case (either explicitly or left unspoken). The heavier/faster middle section is there to represent her anger, before she regains her peace in the final section. Although the middle section is a contrast from the first part, I used a variation of that same AUM inspired 4 bar melody in all three sections to try to give musical continuity.
Thank you if you have read this far…hope I don’t sound self-indulgent, but I love reading how others go about writing and recording, and in doing so I have picked up so many ideas from this forum. Cheers