Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.Download on the App Store
Audiobus is the app that makes the rest of your setup better.
Filter cut off and controlling level. How do you?
Looking for advice/methods on how people do this…
The difference in level when a filter is open and closed can be pretty huge and while sometimes it might be good to have an element dominate or disappear in mix, often I just want it to be even.
There’s some threads on other forums but not found anything definitive.
Experimented with compression (takes too much life out of the synth - I may have set up poorly though) and limiter (only have old DDMF one and am not great with it’s settings).
I’d rather not automate the fader as that’s a pain.
Is Multiband compression the answer? I have bark filter, maybe that could do it?
Maybe there’s a clever way using just the synth ( Zeeon)?
Any help/ideas appreciated!