Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
Drambo by BeepStreet released
This discussion has been closed.
Comments
@Max23 That sounds amazing!!!!! That would for me be the game changer. 😂. I hope the wait is not too long.
I think what you want is an envelope to control the filter cutoff. Most synth patches don't just slap a filter at a constant level across the whole sound. Place a mod ADSR envelope before the filter and link it to the cutoff knob. Now turn the modulation amount all the way up and the frequency way down. Play with the envelope to target how much and when to apply the filter. You probably won't want extremes in the modulation amount and the cutoff frequency, but setting them that way helps understand the differences that can be had with different envelope settings.
Is the scene condition logic still a bit buggy? or perhaps I’m doing something wrong: On one of my steps I have scene condition (Set to D) followed by random condition (50%) and then a jump .. which worked fine at first, didn’t trigger the jump behavior on any scene but D, until I added a couple more scene conditions on two other steps. Now it’s randomly triggering the one jump condition on my track even when it’s not on scene D.
If I remember correctly, the scene conditions don't necessarily combine (logical AND). It was a bit irritating for me as well. I'm sure there's going to be some work at them, lots of additional related feature requests in the queue, they're just not at the top of the priority list.
Ah, that explains it! Thnx.
(edit: I thought adding second scene condition on the same step fixed it just now, but you’re right, logic % doesn’t seem to work at all combined with scene condition) .. Ah well. Plenty of potential workarounds in this endlessly capable app.
Well that is just sick!!!!! Wild video as well!!!!! Great stuff. @Max23
Wicked.
It's a really good track.
The visuals go well with the sound.
Well done.
That was so rad!!!!! Everything about that was great. Awesome mix allowed me to hear everything when I was supposed to. Fantastic work.
Is the morph slider mainly used to just be able to control several parameters at once? I haven’t made much use of it cos I just haven’t thought of many ways to use it
I've only just started with the morphing myself.
It seems to be the way to transition between snapshots
without the sharpness of step programmed mutes
though you can save mute information within each snapshot.
I've been experimenting with P-locking and morphing today.
Start from the tracks, press A to the right of the fader in the middle
adjust what you would like to p-lock (automate),
move fader across to B, press A again and see what happens
when you fade between A and B.
Exactly. "Snapshots" nails it, the official name is "Scenes".
You activate a scene by hitting one of the two buttons left or right from the crossfader and hitting one of the 16 pads to choose a scene for that crossfader side.
Example uses are two different songs, both in the same project, one using tracks 1-8 and the other using tracks 9-16 for example, scene A has the output volumes of tracks 9-16 at zero and scene B has volumes of tracks 1-8 at zero. Moving the crossfader will seamlessly crossfade between both.
Another example is a full analog synth you've built in Drambo, with different "presets" (i.e. knob settings" on different pads so you can switch presets easily by hitting pads) and crossfade between any two sounds by using the crossfader.
Thanks everyone! That makes a lot of sense and gives me a whole lot of ideas, exploring the movement I can get from morphing will be really interesting to experiment with
That's a really good analogy.
I took the scenes for a walk this evening.
The permutations are much more musical.
so this wave table is released.... does she have some cool presets or just a list of waves?
Those shortcut updates are really a low key life saver, also can’t wait to dive into the wavetable tonight. Incredible updates as always
O M G !! 🤣 🥳 🤪
There’s some really good presets
It’s out!
ty man!
It’s also now able to upload serum presets, which are wavetables you can find for free and for pay at many sample, preset, patch, production sites. They are all over.
Just a little side note: Serum presets that contain new wavetables are often in VST "fxp" or "fxb" format which can only be loaded with the Serum desktop synth. When you buy one of the packs, make sure the wavetables are actually available as WAV files as well ... or just buy Serum if you don't know anyone who could do it for you 😉
Mind blown. 🤯
Little jam with a few of the Factory presets 🏄♂️
Someone can explain me the new pattern feature of the flexi sampler? Thanks.
Flexi sampler starts with pattern and ignores gate input.
There are three pattern-related features: Clip launching, playback speed synchronisation and recording a perfectly cut loop.
@giku_beepstreet Maybe the upper right Sync field should not be shown on the REC page?
sweet! jamming now