Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
Comments
Looks brilliant
Looks fun! I'm a bit more intrigued by this one now.
Looks really nice, thanks for sharing!
Awesome!!!!!
@thesoundtestroom said:
Looks shit, sounds brilliant!
The other app showing in the video at the start showing top right is new aswell SPARKLE ?
It's a secret according to Sinapsya! Interesting.
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iVCS3 next week hopefully, Sparkle not sure?
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Judging by how reluctant they've been to reveal that particular nugget of information, I'm guessing it's going to be expensive compared to most iOS synths.
look at what's on stage with Juan Atkins and others...
Wow, Baba O'reilly is just right on!
Can anyone remember another iOS synth with an "on the run" preset? There's one that just nails it,- I'm pretty sure it was on iOS and not a VST....
@Zymos, Arpist has a preset... Was that the one you were referring to?
Arpist is an ios midi arpeggiator, so you can roll your own sounds.
Here's a vid:
@Zymos here is the sequence if it's of any interest E2 G2 A2 G2 D3 C3 D3 E3. Works well in Bassline or TechnoBox
Mr. Townsend:
What is it in human psychology that as soon as we get an arpeggio running we next slowly open the filter and then close it back again gradually adding resonance/peak? I do it all the time
...after that I normally either increase sustain or open the filter and detune the oscillators.
Laziness?
one can call it laziness, but it only shows how limited we are. A musician with a real instrument can do so many timbres. The art of synthesis opens by definition an endless range of sounds and timbres, but only few can make it happen.
I think our pleasure receptors respond to that particular sweet, sorry, sweep.