Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
Comments
Excellent, excellent presentation at this year's Loop, I loved that talk.
Yeah I'm only interested in seeing the Prince part? Anybody wanna help out with a timestamp?
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Thanks for posting this!
Here is another good talk she had with Jamie Lidell
https://itunes.apple.com/ie/podcast/hanging-out-with-audiophiles-ep12-susan-rogers/id1279148418?i=1000402972328&mt=2
And the excellent Gear Club podcast interviewed her over two episodes
https://itunes.apple.com/ie/podcast/gear-club-podcast/id1187432394?mt=2&i=1000392307447
Part 2
https://itunes.apple.com/ie/podcast/gear-club-podcast/id1187432394?mt=2&i=1000392783887
Ta very much.
thank you for posting, appreciate it.
Thanks for this!!
Yes, very interesting !
meh..
I am a big had on Prince records and the records she worked on, But to be honest, she comes across as a fake on this video. "Listen to 100,000 hours of music and you will become a record exec or A&R exec?" Seriously, What planet does she live on? She comes across as a part of the Berklee establishment -- they want your tuition dollars and send you on your way.
I heard it more like "if you know what sounds good you can still work/be involved in music without having to play an instrument" @telecode101
Also she more or less advises against going to Berklee or audio school towards the end of the talk.
What it means to make music after Spotify; empty pockets
The interview got more interesting as it went along. The scientific stuff was kind of neat. And I really liked the funny part about how you need to be a little crazy and also a little logical and sane to be able to make music your living. Unfortunately, the reality is that the amateur music market is littered with crazy people that aren't that talented and don't have much skill but are hoping computers, automation, strong drive and big dreams will compensate for that.
I think all these discussions by industry veterans are a lot of hot air. Too much reminiscing about how things used to be done and the recent history of some modern recordings, and for all their greatness, the Prince releases are exactly that. Its great stuff of you want to re-master and re-package it and sell super deluxe editions of great music.
If you are Prince fans, check out the Bootsy Collins interview after Prince died. It's actually much more revealing and intriguing.
I thought she was actually quite far away from the establishment in her approaches.
Sure, it could be seen airy fairy woo woo in some places but I didn’t regret the hour.
The latest lifted from CDM for those who jibed with the first one: