Audiobus: Use your music apps together.
What is Audiobus? — Audiobus is an award-winning music app for iPhone and iPad which lets you use your other music apps together. Chain effects on your favourite synth, run the output of apps or Audio Units into an app like GarageBand or Loopy, or select a different audio interface output for each app. Route MIDI between apps — drive a synth from a MIDI sequencer, or add an arpeggiator to your MIDI keyboard — or sync with your external MIDI gear. And control your entire setup from a MIDI controller.
Download on the App StoreAudiobus is the app that makes the rest of your setup better.
Comments
What about using the car stereo to check the bass? I brought my iPad in the car and used the aux plug of the car stereo to plug my iPad.using a 1/4 cable. That way I can mix from inside my car.
I use decent cans with Morphit, , will def not trust it for a commercial release.. but for noodling and yt its enuff
Thanks so much! So when inselect the profile it literally means that my mix what ever I’m listening to, is as neutral as it should be right? So i should place morphit on the master channel at the very end of the chain? And leave it even when mixing down?
Thanks so much☝️🙏👍🏼
Yes place it on the master bus at the end of the chain, but only while you are mixing.
At mixdown time you must remove it, because obviously it can only compensate for your headphones, and not whatever your listener is listening on.
I bus it and disable output to monitor on master..Rec and monitor separated. No need to remove anything, just try like this
remember to switch limiter OFF in Morphit (adds latency) use vol slider instead...
Great thanks i thought it needed to stay😂
Is this so, if you are tweaking apps, you can record without morphit but morphit gives you accuracy still to your headphones?
Is 0db the default setting for aum faders in settings? Mine is set to -6db, which would make it -6db at the line and 0db on fader full?
Dont worry. Can see its 0db.
Are you familiar with his work and his history? Definitely a guy who knows what he is doing.
I'm not sure I would say "isn't right", but definitely tweaking and refining the low end is something I'm doing in most mixes I get sent. FWIW, most mixes these days are pretty close to decent these days, it's pretty rare I get something that's just totally wrong. We're lucky that ALL music reproduction has improved drastically over the last 10-15 years.
But, it's also a much bigger issue than just saying headphones are better than speakers, or vice versa though. A lot of it comes down to acoustics and practice, and even with headphones paying a lot doesn't always equal the fact you will get good (or consistant) results.
I've been lucky to try mastering with some pretty pricey headphones and always struggled still to get the low end right. I admit I just flat out can't work in open back headphones either, it just never creates the low end in a way I can relate to. It wasn't until I started experimenting with higher end IEMs (I use Shure SE846's these days) that I was finally comfortable enough to actually use them for client work in the same way as my main monitors. Should I need to.
We all hear things different, it's about putting the time in to try and see what works best for YOU (repeatedly) more than saying gear X is better than gear Y IMVHO.
I can see why you would think this but @Tarekith and others have confirmed this isn’t the case.
We’re talking about being able to mix/master low end on headphones, right?
I don’t want to put words into @Tarekith ’s mouth but I have seen other engineers say the same thing. If you get the right pair of headphones and get to know their sound then you can do a pro mix on them, club ready low end and all.
It's a misunderstanding of the physics involved that makes people think you need to hear a whole cycle of a wave in the air to actually hear it. That's not how sound waves work.
I will agree that in headphones you lose a certain physicality of music as a THING that you feel too though, it's a different experience entirely.
I always tell people if you're going to work in headphones then just stop trying to compare them to speakers and approach them like a totally different listening space. You can achieve the same results at the end of the day with either, focus on what they do best and learn to work with that.
If there's one thing I've learned in all my years of making and producing music, it's that practice always trumps all. You can make amazing sounding music on ANYTHING if you put enough time into it and check yourself once inawhile on other systems. Better gear just (usually) makes it faster/easier.
OK, I see what you’re saying. So dial it in on a decent pair of headphones and then go visit your closest reggae sound system for a sanity check: https://www.soundsystem.world
😎 🔊🔊🔊🔊
Tell them they still owe Chill Rob G lol
Does anybody know if the car is reliable to test the bass?
I’m 45 and I can generally hear 16k, sometimes higher if it’s loud enough. I have always worn fitted earplugs or fitted in ears when possible at gigs, but I have plenty of colleagues who don’t or haven’t done that and they have terrible hearing now.
I don’t know Andrew Scheps can hear, but I get the impression he has taken good care of himself. He’s always been a studio guy, so it’s possible that he wasn’t really mixing at extreme levels. But I could be wrong.
I’m developing tinnitus so I’ve dialed my volume way back (I’ve kept it pretty low historically) and only mix on my Apple EarPods lately. My mix is never where I want it but I’ve learned not to stress about it. I just do the best I can and move on. My iPhone is always on me so I just work in NS2 when I have a few minutes at a time using morphit and it’s good enough for me. I’ll never be amazing at it and it’s just for fun, so I’m ok with it. I’m just doing it for fun anyway